THE STOOGES: HEAD ON -
A JOURNEY THROUGH THE MICHIGAN UNDERGROUND -
BRETT CALLWOOD
The Stooges, baby! Anyone who likes a bit of rock'n'roll always likes to get down and dirty with The Stooges but do they like to read books about them? I suspect not too many but that's alright because that's why I'm here. To do it for you. To read it on your behalf. To take one for the team. So to The Stooges: Head On - A Journey Through The Michigan Underground written by Brett Callwood that I at first mistakenly thought was a recently-written book but that on closer inspection can see it was actually published in 2011. What was clear, however, was that the subject matter was The Stooges as a whole - as a band - because if it was mostly about Iggy Pop then his name would surely be on the cover - and it's not. Iggy is in there, of course, because in a book about The Stooges how could he not be? It's just that he's not the main focus. If it's anyone, in fact, that the main focus is upon then it's Stooges guitarist Ron Asheton who passed away just before publication and just before The Stooges were inducted into the Rock'n'Roll Hall of Fame.
Like the Velvet Underground's debut album, even though it wasn't a big commercial success, The Stooges debut had a very deep cultural impact particularly upon the original punk generation of '76 and '77. The Sex Pistols covering No Fun is the obvious influence but by no means the only one. There's the influence upon The Clash, for example, and them naming a song '1977' like The Stooges did with '1969'. A single line from a Stooges song such as 'so messed-up' from Now I Wanna Be Your Dog being turned into a whole song by The Damned. More importantly, however, there's the influence in attitude where The Stooges proved by example and particularly through the guitar playing of Ron Asheton that to be in a band there was no need to be a stellar musician playing radio-friendly tunes. Instead, simply learn to play three chords and have an exhibitionist out-front on vocals and you're good to go - if not practically made it to fame and fortune already. This was the real power and influence of The Stooges and their debut album and in this the case can be made for them being the true godfathers of punk.
According to Iggy, Ron Asheton was a 'genuine, unique talent' and that his big contribution to The Stooges was in coming up with two 'world-class eternal riffs in No Fun and Now I Wanna Be Your Dog'. In a review of the debut album in Creem magazine, very presciently it was written 'This is probably the guitar style of the future'. And that's the nub of it. By coming up with these riffs, Ron Asheton was securing his place in Heaven where on entering the pearly gates he'd be met by Archangel Gabriel himself and shown straight to the VIP lounge. 'There's Jimi over there' Gabriel would say 'And there's Janis, and there's Mr Cohen talking to the Drake boy. And there's Elvis over there on his throne of course, and Hank and Buddy, and there's Brian by the swimming pool, obvs. Take your place, Ron. Pull up a chair and make yourself at home, man. The drugs are over there. There's no limit to them and they're all free. Welcome to Heaven'.
Brett Callwood's book is a labour of love, forged from countless sources and personal interviews. A labour of love to such an extent, in fact, that come the end of the book he informs us he's made the decision to permanently move to The Stooges hometown of Detroit because after researching The Stooges, their city and its surrounding area, it's all had such an impact upon him that he can't think of anywhere else he'd rather be. There have been plenty of books written about Iggy Pop over the years but none as far as I know about The Stooges, so there's really no other book to compare it to. Which means that if you like a bit of Stooges, Callwood's book is an essential purchase. Moreover, whilst writing about The Stooges, Callwood also enters into the subject of Ron Asheton's other bands, Destroy All Monsters and Dark Carnival both featuring the semi-legendary Niagra on vocals, with both bands never really achieving a lot of recognition or acclaim during their time and so probably deserving now of a reappraisal?
John Serpico