Showing posts with label David Bowie. Show all posts
Showing posts with label David Bowie. Show all posts

Sunday, 22 September 2024

The David Bowie Story - George Tremlett

 THE DAVID BOWIE STORY - GEORGE TREMLETT

There are some books you read purely because of the cover and The David Bowie Story by George Tremlett is one such example. Published in 1974, the cover is pretty wonderful. Bowie in Ziggy Stardust mode against a backdrop of fractal art. What more could you ask for from a music book from the 1970s? It's Pop Art, man. It's psychedelic, Eric.


Books on Bowie, of course, are two a penny which means that for any to stand out there has to be an angle. With George Tremlett's book it's obviously the cover art but there's also the Kenneth Pitt connection. Pitt was Bowie's manager in his very early days and Pitt also happens to have been a long-time personal friend of the author and it's from talks between them both that the vast amount of the material in the book is drawn.

Pitt was dropped from his managerial role by Bowie in 1969 to be replaced by Tony De Fries, although Pitt's influence upon Bowie should not be underestimated. Bowie was always the proverbial social butterfly, flapping between different interests whenever the mood took him. One minute it was Buddhism up in Scotland, the next it was mime with Lindsay Kemp. One minute it was bit-part acting in The Virgin Soldiers, the next it was hanging out with Marc Bolan (and furiously taking notes). Pitt by all accounts was a very cultured man, a collector of Victorian literature and an authority on the works of Oscar Wilde, so you can see why Bowie might have been attracted to him. Significantly, it was Pitt who introduced Bowie to the music of the Velvet Underground.


Tremlett's book deals with the period in Bowie's career from his early days in 1966 of supporting The Who at the Marquee on Sunday afternoons, up to Ziggy Stardust's retirement announcement at the Hammersmith Odeon in 1973. For most, this was Bowie's most iconic period and there are clues given - particularly once Tony De Fries had taken over - in how this iconic status was achieved. It makes for an interesting read but for all the hype, the media manipulation and the projection it still at the end of the day comes down to how good the songs were. Media hype doesn't last, neither do styles of clothes, theatrical costumes and lightning streaks across the face. Songs do. And Bowie irrefutably had some very, very good ones.
John Serpico

Wednesday, 12 October 2016

Guilty Pleasures (Part 14)

GUILTY PLEASURES (Part 14)

Purists might scoff but I'd bet my bottom dollar that Bowie himself would have approved of Bowie Experience. He was always an arbiter of good taste though, wasn't he? He raised the bar by being an early champion of Lou Reed and Iggy Pop (among others), though the slight problem that arose for him later on in his career was that he'd made such an impact upon pop culture that any band or artist of any merit would always have been influenced by him in one way or another, so the bands he later touted (such as Placebo, Arcade Fire, the Pixies even) were always cut from his own cloth.
So with this in mind it was bound to have eventually brought him round full circle to appreciating a tribute act to himself - the Bowie Experience.


Now that he's passed away, watching a tribute act to him is the closest we're going to get to experiencing him live. So will it be worth it? I hope so. The guy who impersonates him must be doing a good job of it for him to be touring the UK in what is actually quite decent-sized venues.
Of course, we've always got the records, the videos and the films of Bowie to help keep the flame alive; and of course, we've always got the bands and artists that were influenced by him. I'm thinking Momus here in particular for some reason.

I wonder if Bowie Experience will come on all loaded, man? Well hung and snow white tan?

Wednesday, 7 May 2014

The Man Who Fell To Earth - Walter Tevis

THE MAN WHO FELL TO EARTH - 
WALTER TEVIS

A man walks into a jewellery store in a tiny town somewhere in Kentucky. He's very peculiar looking; tall and thin and wide-eyed like a bird, with albino white hair. He sells an 18K gold ring and gets sixty dollars for it. He knows he's been cheated but he doesn't mind as he's got hundreds of other rings just like it and what's more important is that he now has some actual money. A year later we find him entering a lawyer's office in New York with plans for nine electronic and photographic inventions to be patented. His aim is to make as much money as possible as quickly as possible. Five hundred million dollars within five years to be exact. When next we meet him he's the reclusive head of World Enterprises Corporation and he's a multi-millionaire, ensconced in a very special research project: The building of a space ship.


The Man Who Fell To Earth, written by Walter Tevis and first published in 1963 is the novel on which Nicolas Roeg's 1976 film of the same name starring David Bowie is based. Though Bowie is brilliantly cast and it's the best film he's ever acted in, on first viewing (and thereafter, even) it can be somewhat confusing due to Roeg's rapid fire editing and non-linear style of telling a story. Whilst the film is visually stunning, the book is much more coherent and for this reason is much more satisfying.

The name of the entrepreneur building the space ship is Thomas Jerome Newton and he's an extraterrestrial from a planet called Anthea. He's been sent to Earth because after countless wars his own world is on the verge of extinction. There are just 300 of his kind left and they have limited fuel supplies, dwindling food stocks and hardly any water. Their plan and their only hope is for Newton to gather materials on Earth to build a space ferry that can be despatched to their planet to bring everyone else back to Earth.
As huge and as ambitious this project is it's not, however, the only problem that needs to be resolved. By picking up television and radio signals from Earth the Antheans have been monitoring and studying humankind for some time and they believe that Earth is set on a course for destruction, being brought about through the proliferation of atomic weapons and impending all out nuclear war. If they're to make Earth their new home then they need to put a halt to this race to war or else what would be the point in coming here? They would simply be escaping to a planet that has even less time left than their own.


Newton is a stranger in a strange land, and whilst building his empire and developing his space programme he comes to realise that the television broadcasts from which he has studied mankind have only told half the story. People, he learns, are far more complicated and far more terrifying than he at first thought and what with their tangle of emotions, their curious foibles and their desperate loneliness are actually very difficult to deal with. He becomes enveloped in self-doubt, and whilst finding solace in alcohol he starts to wonder whether spending too much time with humans might actually send him and his fellow Antheans insane.

As he starts to fall slowly apart, sinking ever more deeper into alcoholism he is of superior intelligence to know that all the time he himself is being monitored by FBI and CIA agents. Finally, in a moment of weakness (or perhaps lucidity?) Newton confesses all to his scientist friend, perhaps knowing - though it's not actually stated - that the agents are listening in. He is duly arrested and subjected to all kinds of medical tests and examinations before being allowed to go free purely due to politics - it's an election year and the President doesn't want Newton's arrest and imprisonment used against him by the opposing political party.
From X-rays being beamed into his overly sensitive alien eyes his sight, however, has been ruined and Newton has been left blind. But even more tragically, his mind has also been ruined and Newton has now been left more human than alien.
The last we see of him he is drunk and blind and sobbing, knowing that Earth is doomed and knowing that there is nothing whatsoever to be done about it.


A recurring motif throughout the book is Pieter Brueghel's famous painting 'The Fall of Icarus'. At one point, Newton discusses the painting with his scientist friend and points out that in the picture the sun is half-way below the horizon which means it must be late in the day. As the sun was at noon when Icarus flew too close to it and fell, it means that Icarus had been falling a long way and for a long time. He must have been falling since noon.
Is Icarus symbolic of Newton? And is Newton symbolic of Icarus? Well, of course. Newton is the man who fell to earth. And so too is Icarus.

On another occasion, Newton ponders over the class divide in American society and wonders if the working class might have the better part of the social arrangement? Though less wealthy, they seem to Newton to be less haggard and less lost than the middle class. Alluding to Brueghel's painting, it's the workers in the field - the farmer at his plough, the shepherd with his flock - who are the larger, more prominent figures, suggesting it's actually they who are the most important, not Icarus.
Those same figures in the painting are shown as doing nothing to save Icarus from drowning. They're all otherwise engaged and in fact, are failing to even notice him as are the sailors on the nearby ship, summed up (and quoted in the book) by Auden's poem about the painting: '... the expensive delicate ship that must have seen Something amazing, a boy falling out of the sky, Had somewhere to get to and sailed calmly on.' Similarly, nobody tries to stop Newton from drinking so much and nobody comes to his aid when he's arrested.
Ultimately, Icarus is not the main point of Brueghel's painting - it's what's going on all around him as in the workers at their tasks, as he drowns in the sea. And likewise, Newton is not the main point of Tevis's book - it's what's going on all around him as in impending nuclear war, as he drowns in alcohol.

A curious thing about The Man Who Fell To Earth is the involvement of David Bowie. It must be remembered that Walter Tevis wrote the book in 1963, thirteen years before the film was made and Bowie was cast as Newton. In the book, Newton needs to get his space ship built within five years as this is how long the Antheans anticipate there is left before war will occur. One of Bowie's most well known songs, released in 1972 and the opening track of the Ziggy Stardust album is 'Five Years' in which he sings "Five years, that's all we've got". In 'Starman' on the same album he sings "There's a starman waiting in the sky, he's told us not to blow it cos he knows it's all worthwhile". Then there's 'Space Oddity', 'Life On Mars', 'Ashes To Ashes' and even the creation of his Ziggy Stardust character itself. It goes on. His album 'Low' is comprised of music that was meant to be in the film though in the end not used. It's sleeve is a shot from the film as is the sleeve of his 'Station To Station' album.
It needs, then, to be asked: Did Bowie read Walter Tevis's book years before his rise to pop stardom? If so, did it give him ideas? Was it just sheer coincidence that Nicolas Roeg cast him as Newton? Does Bowie owe his whole career to Walter Tevis?

Gentle, calm, methodical, visionary. Influential.
The Man Who Fell To Earth by Walter Tevis is a very good book indeed.

The Fall of Icarus - Brueghel
John Serpico