Blood On Satan's Claw - Robert Wynne-Simmons

BLOOD ON SATAN'S CLAW -

ROBERT WYNNE-SIMMONS

Along with Witchfinder General and The Wicker Man, the 1971 film Blood On Satan's Claw is considered to be one of the main pillars of what is today referred to as 'folk horror'. As a genre, folk horror is a genuinely fascinating one though its meaning and what might fall under its umbrella is somewhat open to interpretation. According to writer and horror anthologist Johnny Mains, the definition of folk horror is 'the upper-class demonisation of lower/working classes' and this is true but it's only one aspect of it. Folk horror is much more to do with a certain 'something' lurking under the veil of nature. A presence that is beyond words. There is a distinction also between city and countryside folk horror, where the horror of the city is usually born of man as a freak of nature whilst the horror of the countryside is born before nature and only manifesting itself through nature, rather like the force behind the changing of the seasons.

There is a scene in Lars von Trier's film Antichrist where Willem Defoe pulls back some foliage to discover a self-disemboweling fox that then speaks to Defoe and says 'Chaos reigns'. This one scene is as close as anything to defining the true meaning of 'folk horror' though you probably require a sense of an understanding beforehand to actually fully appreciate it.

Published in 2022 via a crowdfunding venture, Blood On Satan's Claw is the first time a novelization of the film has been created. Written by the film's original screenwriter, Robert Wynne-Simmons, what it does is to expound upon the film's original premise as any good book of this type should be able to. So rather than being a typical movie tie-in it's more of a companion-piece with many of the film's themes fleshed-out and added to. In this instance, does it mean that the book is now better than the film? Yes it does, but at the same time the book compliments the film and vice versa.

Quite apart from the presence of the Devil lurking behind the simplicity of peasant village life, one of the main themes of Blood On Satan's Claw is the involvement of children in the unfolding events. One of the main conduits of the horror, for example, is a girl by the name of Angel Blake, who only when disrobing in front of the village chaplain in a bid to seduce him is it stated that she's all of fifteen-years of age.

It is this and similar aspects of the story that whilst not making it disturbing as such, adds to the sense that this is an adult tale. Subsequently this then lends weight to the idea that the countryside is all about sex, violence and strangeness where 'chaos reigns', and that 'folk horror' as a manifestation of this is a serious subject that demands adult consideration.

Read the book, see the film. See the film, read the book. Then under a blazing sun go lie-down in a field somewhere and try and feel the centuries of untrammeled life-force rumbling away underneath whilst you let your mind wander.

John Serpico