Not Just Bits Of Paper - co-edited by Greg Bull and Mickey 'Penguin'

NOT JUST BITS OF PAPER -

CO-EDITED BY GREG BULL AND MICKEY 'PENGUIN'

Some might find it hard to believe and others impossible to comprehend but there was a time when the Internet didn't exist. A time when there was no Facebook, no X, Instagram or even MySpace. 'But how did you message anyone?' all the children ask in wide-eyed wonderment 'Or did you not message anyone ever and just sit instead around the piano of an evening singing songs?'

'Well, we had landline telephones and there were these things called 'pens' that you could write a letter with and send to people by something called 'post'. Have you heard of it?'

But by this time the attention of all the children has wandered so you instead open up your copy of Not Just Bits Of Paper and cast your mind back to slightly more interesting times when communication required effort and was a means to an end rather than an end in itself.

Not Just Bits Of Paper is a portal into a world now diminished, a world where the importance of specific bits of paper cannot be overstated. Not that these bits of paper had any intrinsic purpose beyond the sole reason they were produced for - that being to advertise and publicise events - though paradoxically, without it ever being stated or even considered they also represented nothing less than a vision.

The bits of paper we're talking about here are the flyers and posters created to announce upcoming concerts of the more 'earthy' punk rock type prevalent throughout much of the 1980s. Black-and-white, made with scissors, glue, pens, Letraset and found images. Utilising the 'cut'n'paste' method rather than desk-top publishing, then photocopied, fly-posted, stuck up in record shops, given out by hand and sent out by post enclosed with fanzines and cassette tapes purchased from various mail-order lists.

This was the way we communicated before the advent of the Internet and social media. Slow, time-consuming, sometimes wearisome but effective.

Many of these flyers and posters could be really basic in design and layout whilst others could be veritable mini-works of art. All, however, whatever the quality of them were meant to be throwaway. Ephemeral. To serve their one purpose then binned, which is what most people tended to do with them once the publicised event had passed. Very few people thought of saving them and those who did so saved them essentially for the sake of it. Not for having an eye on one day them being collectible or of any possible future monetary value to anyone. They saved them without thinking and for no reason but saved them - thankfully - they did.

Unlike nowadays, back then hardly anyone took photographs at concerts so the flyers and posters advertising these events are the only physical evidence of a lot of them ever happening. For sure, they're held in memories but memories tend to fade so the flyers and posters compensate, prod and serve to remind. Just as importantly if not more so, however, these flyers and posters - these bits of paper - acted at the time as seeds blown on the wind, as conduits for messages. Weaving gossamer-thin threads between not only friends and neighbours living in the same city, town or even village but between strangers and people of like-mind living in cities throughout the whole country.

It was subliminal. Unspoken. Like tiny beacons being lit on top of hills or flares being shot up into the night sky. These bits of paper acted as signals announcing an alternative to mainstream entertainment, mainstream news and even mainstream values. Announcing a vision. They were the corpuscles in the bloodstream of an underground punk culture that sought legitimacy not through commercial success but through the instigation of consciousness raising, further creativity and political action. Just as fanzines and concerts themselves were deemed to be, these bits of paper were the very life-blood of that punk culture.

Co-edited by Greg Bull and Mickey 'Penguin', Not Just Bits Of Paper collates a wide selection of flyers, posters and handouts from the anarcho punk era of the 1980s and for posterity lays them out and presents them in all their ragged, torn and tattered glory. As to be expected, Crass are heavily represented alongside The Mob, Flux Of Pink Indians, Antisect, Conflict, Poison Girls, Chumbawamba plus many more others. Thoughts are collected also in essays of various length and size written by some of those who were there at the time. Noticeably and interestingly they're all written from the audience point of view rather than from any band members and in doing so adds a whole other dimension to the book. Quality-wise these essays differ and again that's only to be expected but in among them are some very well-written pieces indeed, most noticeably from Ted Curtis, Rich Cross, Tristan 'Stringy' Carter and in particular one by Tim Voss.

Not Just Bits Of Paper documents a period in time that is unlikely to be ever repeated again. A period in time that impacted mightily upon a significant number of people to such an extent that their lives were inexorably altered - some say 'ruined' - for the better. A period in time that though now long gone still resonates, and that under the noise and technology-driven haste of modern day living still echoes.

John Serpico