ONLY ANARCHISTS ARE PRETTY -
MICK
O'SHEA
Now here's a weird one:
Only Anarchists Are Pretty by Mick O'Shea; the story of the
Sex Pistols in novel form, chronicling their early days from the
formation of the band up to the Bill Grundy incident.
The question that comes
immediately to mind is why hasn't this been done before? Particularly
during their Great Rock'n'Roll Swindle period when anything and
everything Pistols-related was being packaged and sold to a
discerning public, not least the still warm corpse of Sid Vicious.
There's been a huge number of books written about the Sex Pistols
over the years but no actual novel - until this one. Somebody missed
a trick there, I think.
But is it art, John, I
hear you cry? Tell us, tell us! Well, of course it's not but it's not
as awful as it could have been and that's because it's written by a
fan and not some 'professional' writer with his eye on a quick buck.
Actually, the closest it gets to art is when the writer incorporates
himself into the story as a young fan travelling down to London from
the north in a bid to see the Pistols live.
I can only presume this
part is entirely fictional because at that time I calculate the
author would have been about 13, and like Sid Vicious should still
have been at home playing with his Action Man not gallivanting off to
the the far-reaches of the King's Road to a fetish clothes shop
called Sex.
He doesn't big himself up
at all when he introduces himself and his friend 'Alan' (Alan Parker,
writer of a number of books on the Pistols) into the story and in
fact, depicts himself as a kind of northern bumpkin entranced by the
bizarreness of the Pistols' coterie like Mowgli in The Jungle Book
being hypnotised by the python. And that's a suitable analogy,
actually, with Johnny Rotten being the king of the jungle - the
jungle VIP - and Malcolm McLaren being the python ("Trust in
me..") as he coils himself around his prey. But which
character is Vivienne Westwood, you might wonder? The tiger Shere
Khan, of course.
There's something missing
in Mick O’Shea’s story, however, and that's any sense of danger
and anger as exuded by John Rotten. And believe me, kids, you may not
believe it now by looking at him but once upon a time Johnny did
indeed exude danger and anger. Epitomised it, even. O’Shea’s
story instead reads more like the cartoon version of the Pistols as
depicted in The Great Rock'n'Roll Swindle film; with Paul Cook as a
podgy oaf, Steve Jones as a moronic lech and Johnny Rotten as an
entirely dislikeable teenager ('The Collaborator', as McLaren tried
to label him).
Mick O'Shea knows his
stuff, there's no question about that and there's no obvious clangers
in the story as far as I can see though I do take exception to the
way Wally Nightingale - the original Pistols guitarist - is depicted.
Now, I was too young to
see the original Pistols but I did once see the Lightning Raiders,
the band that Wally went on to form following him being thrown out
from the band - on Malcolm's instructions allegedly? I thought they
were all right, being a kind of cross between the Pistols and Zodiac
Mindwarp. Wally is depicted as a bit of a pathetic character and it
doesn't quite ring true to me and I wonder what Mick O'Shea is basing
this on?
What's interesting is
that O'Shea depicts Glen Matlock as being the most likeable character
and as the real musical force behind the band. And I can believe
this. It's totally Johnny, however, who gives the band their edge -
and their politics.
Until reading this book I
didn't know about Steve Jones' trick with a loaf of bread and some
liver, and when this is juxtaposed with Johnny singing about the UDA,
the MPLA and Fascist regimes I'm not sure if this makes the Pistols
fully-rounded or if it suggests nothing short of a miracle occurred
with them coming together as a band at all?
Whilst reading this on
the train, a woman sat in the seat opposite asked me what the book
was and when I explained she wondered what might Sid Vicious have
ended up doing had he not died? It was a good question. We ended up
deciding that he would have formed a double-act with Johnny, either
as a comedy duo (like Morcambe and Wise) or as chat show hosts (like
Dame Edna Everage and her assistant, Madge).
You don't usually get
people on the train asking what it is you're reading but then if you
consider the back cover of O'Shea's book, it's understandable why it
might make someone curious. But then as Johnny once advised: "Don't
judge a book just by its cover, unless you cover just another. And
blind acceptance is a sign, of stupid fools who stand in line, like -
" But of course, you know the rest.
John Serpico
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