THE
ENERGY OF SLAVES – LEONARD COHEN
So you see a book for 10p and you buy it. Right? And if it's a book
of poems by Leonard Cohen then it's a double bargain. Right? Double
bubble.
It's a curious thing but most of the poems in The Energy Of Slaves
by Leonard Cohen are untitled and undated so from the off it's a
bit of an enigma – wrapped in a shroud of mystery. The only clue
given that puts the collection into some sort of context is that it
was published in 1972, and bearing in mind that Robert Altman's film
McCabe & Mrs Miller (that featured a Leonard Cohen soundtrack of
his songs, including Sisters Of Mercy) was made a year earlier in
1971, this tells us a litle bit as to where it's coming from.
If you're familiar with Cohen's oeuvre then there are some poems
though untitled that are easily recognised such as the one that
starts 'I left a woman waiting', which turned up on Cohen's
1977 Phil Spector-produced Death Of A Ladies Man album. It's also
apparent that some were written when Cohen was living on
Hydra, in Greece, whilst others were obviously written when living in New York. Suzanne even makes a cameo appearance in one when Cohen
writes: 'The whole world told me to shut up and go home, and
Suzanne took me down to her place by the river'.
Once you get past the puzzles, the hints and the undisclosed and
simply settle down for the cruise, as might be expected there are
some fine lines here that are a joy to read, showing Cohen at his
best. For example:
'I didn't kill myself when things went wrong. I didn't turn to
drugs or teaching. I tried to sleep but when I couldn't sleep I
learned to write. I learned to write what might be read on nights
like this by one like me'.
Or: 'So I sit down with the old men watching you dance. We never
found a way to outwit your husband. I suggested a simple lie. You
held out for murder'.
And this, to 'Mailer', whom I presume to mean Norman Mailer?: 'Dear
Mailer, don't ever fuck with me or come up to me and punch my gut on
behalf of one of your theories. I am armed and mad. Should I suffer
the smallest humiliation at your hand I will k—l you and your
entire family'.
And at one point he even gets political: 'Each man has a way to
betray the revolution. This is mine'. And that's it. Broken down
into just a four-line haiku but managing to speak volumes.
Leonard Cohen was a saint among men. Derided by some as being
miserable and his recorded work labelled as music to slash your
wrists to, he was in fact a man of much grace and humility. Yes, a
lot of his songs were indeed dark but at the same time very
beautiful. Many were very serious but also many very (darkly)
comical. The same goes for his poems, the one addressed to Mailer
being a good example due to the fact that whilst he threatens to kill
Mailer and his family in the poem, the truth is that everyone
knows Cohen would never have harmed a fly. Did he not go on to spend
10 years as a Buddhist monk? Which means this particular poem, when taken at face value is a death threat is actually Cohen being
amusing.
The words, the voice, the music, the songs and the poems of Leonard
Cohen are life-enhancing, and to those curious and open of mind there
are lessons to be learned from them. There are lessons to be learned
from the way he conducted his entire life, even.
Today's lesson,
however, is that if you see a book for 10p then you should buy it.
Right? And if it's a book of poems by Leonard Cohen then it's a
double bargain. Right?
Double bubble.
John Serpico
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