YEAR
OF THE MONKEY – PATTI SMITH
How strange it must be living Patti Smith's life. Just a thought that
occurred whilst reading Year Of The Monkey. At the start of
the book Patti mentions she's just finished the last of three nights
in a row performing at the Filmore, in San Francisco. Can you
imagine? Three nights of ecstatic, classic rock'n'roll that for some
would probably be as near to a religious experience they will ever
get, and that quite possibly includes Patti herself.
Patti, however, just casually mentions it almost as a 'by the way',
as though it was no big deal. What is more significant to her is some
guy with a greasy ponytail leaning over and puking on her boots on
the last night and whether this is a good or a bad sign to end the
year on? 'Well, considering the state of the world,' she
surmises 'who could tell the difference?'
Patti wanders into a thrift store and buys an old Grateful Dead
tie-dye T-shirt with Jerry Garcia's face on it. It's an impulsive
buy, she says. She later hitches a ride to San Diego with a couple
who ask for eighty-five dollars advance payment for gasoline. At a
truck stop she gets out to go to the bathroom and on her return she
sees the car speeding off into the distance, leaving her there
stranded. Meanwhile, Patti's friend for over forty years, record
producer extraordinaire Sandy Pearlman, is lying in a coma in a
hospital.
All these things and more are fused together like fragments of a
dream to create an encompassing dream-like experience but rather than
the fragments it's the dream in totality that Patti is more
interested in, and it's this that she writes about.
It's unlikely that Patti's a rich person at all but at the same time
she's not going to be poverty-stricken, so if need be she's going to
be able to afford new clothes if required. It's interesting then that
she would instead buy an old, second-hand tie-dye T-shirt peeled from
the body of some old Deadhead. It's interesting that rather than
catching a coach or even a taxi, she would instead hitch a ride with
a couple of potential psycho killers. Rather than staying at a Hilton
hotel she chooses instead to stay at some rickety, old motel called
the Dream Inn.
All things, however, are connected and nothing is coincidental so
perhaps all things are meant to be? 'I was dreaming in my
dreaming', as Patti sings on People Have The Power though that
could easily be changed by dropping just one letter to 'I was
dreaming in my dreamin' but in the book she fails to make that
connection for some reason. Dreamin'? Dream Inn? Dreaming in my Dream
Inn? It's like an exercise in Carl Gustav Jung's theory of
synchronicity.
Throughout Year Of The Monkey there is a continuous sense of
mortality as Patti marks the passing of time and the passing of life
as she approaches her seventieth birthday. Her friends and those she
admires fall and pass away continuously: Muhammad Ali, Sandy
Pearlman, Fidel Castro, Carrie Fisher, Sam Shepherd. 'This is what
I know.' she writes 'Sam is dead. My brother is dead. My
father is dead. My mother is dead. My husband is dead.'. It's
like an echo of Jack Kerouac's lament at the end of The Dharma Bums
where he asks: 'Are we fallen angels who didn't want to believe
that nothing is nothing and so were born to lose our loved ones and
dear friends one by one and finally our own life, to see it proved?'
All is dream. The dream of life. Dream for free because if nothing
else we're free to dream. Is there, however, such a thing as the end
of dream and if so where might that be? And if there is an end of
dream would it not follow that there is also a birth of dream?
Subsequently, might there be an afterbirth of dream? Come the end of
Year Of The Monkey, Donald Trump is elected as the next President of
the United States so yes, perhaps there is an afterbirth of dream and
he's the full, dayglo embodiment of it?
'Yet still I keep thinking that something wonderful is about to
happen.' Patti writes 'Maybe tomorrow. A tomorrow following a
whole succession of tomorrows.' She concludes, however, that 'The
trouble with dreaming is that we eventually wake up'...
John Serpico
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